randian | 燃点

In his performances to date, Li Liao has addressed himself to different environments, exchanging his own presence for outcomes either planned or undefined from the outset. He has been content to place himself directly, and sometimes painfully, in public situations, often seeming to relinquish agency for the sake of experiment. >> Read more

ART LABOR is very pleased to present five artists exploring exterior and interior environments in rich, >> Read more

The pictures of stocky women in ballet dresses, engrossed in play, have almost become shorthand for Paula Rego’s pictures. But glance through any book on her and one immediately remarks the extraordinary diversity of her art… >> Read more

New York, NY— Lévy Gorvy will debut new paintings and sculpture by Dan Colen in the artist’s inaugural exhibition at the gallery, opening May 2nd. Dan Colen: Mailorder Mother Purgatory will present three recent bodies of works that focus on technical innovation in pursuit of ambience and emotional depth. The exhibition, which will run through […] >> Read more

This exhibition is a dialogue between artists from Korea and from Berlin working with painting, video art, installation, and performance. >> Read more

Datumsoria: The Return of the Real 2017.9.9 – 2018.3.18 ZKM | Center for Art and Media (Karlsruhe, Germany) Curated by ZHANG Ga Artists Ralf Baecker, Laurent Grasso, George Legrady, Rafael Lozano-Hemmer, Carsten Nicolai, Nam June Paik, LIU Xiaodong, YAN Lei, ZHANG Peili, WANG Yuyang Co-presented by Chronus Art Center (Shanghai) ZKM | Center for Art […] >> Read more

It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more

We pass through a heavy iron gate and drive into the backyard of Gabriel Kuri’s studio in Culver City, California. Black volcanic rocks and grey stones of similar size—large enough to wrap your arms around—line the boundary where the property is fenced off on the left side. >> Read more

In essence, Zheng Chongbin has fought an unwinnable but fertile battle to deconstruct and meld traditions.
 
 
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We begin at the Courts of Justice, which were built on the hill overlooking The Marolles district to intimidate the poor who lived there. Now there is a lift to take you straight down, or up, depending on your inclination. >> Read more